Nancy Fritz: Opening Reception Fri. September 10, 5-8pm
Info about Nancy’s show
Opening Reception, Friday, Sept 10, 5:00 – 8:00pm
- Exhibition dates: Sept 2 – 25, 2021
- Gallery hours: Thurs & Fri 2-6 pm, Sat & Sun 12-4 pm
Nancy Fritz: Opening Reception Fri. September 10, 5-8pm
Info about Nancy’s show
IMAGINING FUTURES: Opening Reception Fri. September 10, 5-8pm
Please join the collective membership of ARC for its annual Members’ Exhibition! View artwork from its talented and diverse membership.
ARC, founded in 1973 as a women-run cooperative organization, has a long and distinguished history as a cultural institution in the city. ARC’s mission is to bring innovative, emerging and experimental visual art, to a wide range of viewers, and to provide a nurturing atmosphere for the continued development of artistic potential and dialogue. Celebrating 48 years in existence, ARC provides exhibition opportunities and support to artists, across all artistic disciplines including performance, sound, and video. The support ARC offers includes: professional presentation of work, significant financial subsidy of gallery space, group and themed show opportunities, and feedback and encouragement to young and emerging artists.
Celebrate another great year of existence during the Opening Reception on Friday, September 10, from 5-8pm!
Participating Members: Granite Palombo Amit – Laura Cloud – Abigail Engstrand – Nancy Fritz – Iris Goldstein – Cait Hardie – Elyse Martin – Ruti Modlin – Cheri Reif Naselli – Randi Shepard – Lee Stanton – Michele Stutts – Michelle Williams
Affiliate Members: Kina Bagovska – Nancy Bechtol – Denise Bellezzo – Monica J. Brown – Virginia Carstarphen – Michele Corazzo – Esther Charbit – Jessica Gondek – Kristina Gosh – Pauline Kochanski – Cynthia Vaicunas – Amy Zucker
Interns: Meredith Lussenhop – Olivia Sciford – Devon Weist
Fragments from the Past: Photographs by Jane Stevens Opening Reception Sat. July 24, 2-4pm
Stevens’ photographs combine images from past and present moments to create a transformed reality.
Fragments and portals into the past are powerful reminders of the passage of time and the ever-changing environment. These photographs are a reflection on how the past affects our personal lives and alters the future.
The landscapes in the photographs are visual metaphors for the artist’s transformative process and journey of reclaiming a sense of self and connection to the world/community.
Stevens has exhibited her work nationally and internationally including the Los Angeles Photography Center; Galeria Tonalli, Mexico City; University of Arizona, Tucson; Alexandria Museum of Art, Alexandria, Louisiana; Speed Art Museum, Louisville, Kentucky; and Laguna Gloria Art Museum, Austin, Texas.
GO MAKE A THING!
JUROR: Jessica Gondek
DEADLINE FOR ENTRIES – SEPT 19, 2021, 11:59pm CST
CLICK THIS LINK (OR CUT AND PASTE LINK TO YOUR BROWSER) TO APPLY: https://arcgallery.wufoo.com/forms/go-make-a-thing/
Let’s have fun!
Frustrated? “GO MAKE A THING!”
Tired of stores not having what you need? “GO MAKE A THING!”
Tired of being alone? “GO MAKE A THING!”
Too many shipping boxes? “GO MAKE A THING!”
Tired of the news? “GO MAKE A THING!”
Sick of Zoom? “GO MAKE A THING!”
Bored? “GO MAKE A THING!”
Tired of being dressed only from the waist up? “GO MAKE A THING!”
Drinking too much wine? “GO MAKE A THING!”
Want a break from your spouse? “GO MAKE A THING!”
Kids driving you crazy? Tell them to “GO MAKE A THING!”
You, “GO MAKE A THING!”
Free exploration often opens doors to imagination. With tongue in cheek, we’re interested in play to overcome stress and frustration! So, have fun and…“GO MAKE A THING!”
And send the images to us and apply to this show!!*
* ‘Things’ in ALL media are welcome, including video, performance, sound, 2D and 3D work; and all artists’ work will be considered.
The exhibition will run from October 29 – December 18, 2021. This time frame is equal to two ARC Gallery exhibition months – so more opportunity for your work to be viewed! We encourage everyone to enter.
Entry fee: $40 for one to three images. $10 for each additional image (lower charge for students — High school or college students can pay a reduced fee of $25 per 3 entries with $10 for each additional entry (Please include copy of Student ID)).
Gallery hours are: Fridays, 3-7; Saturdays and Sundays, 12-4. Masks for all visitors are required. (Hours subject to change)
ABOUT THE JUROR:
Jessica Gondek is an artist/teacher living in the Chicago area. She received her M.F.A. from Washington University in St. Louis, and her B.F.A. from The School of the Art Institute of Chicago. She is an Associate Professor of Fine Arts at Loyola University Chicago and teaches drawing and painting in the Department of Fine and Performing Arts.
Ms. Gondek has received a number of prestigious awards recognizing her creative work over the years. Notable are the Pollock-Krasner Foundation Artist Grant, a Graham Foundation for Advanced Studies in the Fine Arts Grant, and a Mid-America Arts Alliance National Endowment for the Arts Grant.
Ms. Gondek has been recognized with a number of international artist residency awards. She has been an artist in residence at the Can Serrat International Art Center in Spain, and at the Frans Masereel Center in Belgium.
Jessica Gondek has exhibited her work nationally and internationally and is represented in many public collections. Her work has been featured in solo exhibitions at the Northern Illinois University Art Museum, the Loyola University Museum of Art, the Butler Institute of American Art Beecher Center.
Ms. Gondek is a member of ARC Gallery and Educational Foundation and Woman Made Gallery in Chicago.
Deadline for Submission of Applications: Sunday, Sept 19, 2021 at 11:59pm CST
Notification of Acceptance: Will go out by email on Thursday, Sept 30, 2021.
Work Delivered to ARC: Thurs, Fri, Sat, Oct 21-23, 2021 (Thurs, Fri, Sat 12-4pm)
Pick-Up Work at Gallery: Sat, Dec 18, 12:00pm – 4:00pm
Shipped Work Return Date: Wed, Dec 22, 2021 *Pre-Paid FedEx or UPS label is required.*
Do not use the U.S. Postal Service.
$40 for one to three images. $10 for each additional image (lower charge for students — High school or college students can pay a reduced fee of $25 per 3 entries with $10 for each additional entry (Please include copy of Student ID)).
If paying by check, it must be received prior to jurying.
Click HERE to apply.
Opening Reception, Friday, Oct 29, 5-8pm / Virtual Opening, Saturday, Sat, Oct 30, 4pm – 5pm
OUR PLANET: OURSELVES Opening Reception Fri. June 25, 5-8pm / Virtual Opening Sat. June 26, 4pm
JUROR: Jane Stevens
The beauty of our natural world is apparent. The earth is warming in the sun. However “the warming earth” carries a more somber message as well – a reminder of the fruits of our greed, the fragility of our planet, the reality of our losses. And, as we face the urgency to respond, we raise our artistic voices – to celebrate, to mourn, to activate, and to contemplate how we live together in relationship to this one planet we must all share and nurture. “Our Planet: Ourselves” addresses nature in all of its complexity — its beauty, its fragility, its ubiquity to everything else that we are.
Exhibiting Artists: Alice Becker, Denise Bellezzo, Rose Bonacorsi, Laura Cerf-Dahl, Joelle Dietrick, Jeffrey Doyle, Leslie Ann Eliet, Donna Fleetwood, Jane Flynn, Donna Hapac, Bob Hilger, Margaret LeJeune, Nora Moore Lloyd, Julie Mars, Jeane Kat McGrail, Jane Michalski, Jacqueline Moses, Lucy Mueller, Louise Pappageorge, Adriana Poterash, Linda Robinson Gordon, Cherie Sampson, Autumn Schaefer, Beth Shadur, Michelle Shipka, Juliane von Kunhardt, Brooke White, Marjorie Woodruff, , Ryan Zoghlin
ABOUT THE JUROR:
Jane Stevens is Curator of Art, Emeritus at the Illinois State Museum. as well as an art educator. She curated over twenty-five exhibitions of Illinois artists at the Illinois State Museum. She is interested in documenting the art of Illinois artists and has published five books on Chicago artists including: Don Seiden: An Artist’s Life; From Light to Dark: The Life and Work of Ellen Roth Deutsch; The Legacy Continues: The Chicago Society of Artists; Barbara Aubin: A Life of Art 1928 – 2014; and Dusty’s House: A Victorian Treasure. She is currently working on a new book that is scheduled to be released in early 2022.
She received an MFA from the State University of New York, Buffalo and studied at the School of the Art institute of Chicago.
Roots, Branches: Ancestor(s) Stones: Opening Reception Fri. June 25, 5-8pm / Virtual Opening Sat. June 26, 4pm
This journey has its beginnings in a seed that was planted in a seed, that was planted ages ago, across the oceans of time and space, in the land that birthed the first mother. When her firstborn daughter came of age, her mother asked her to remember. “Remember what?” her daughter asked. “Remember this.”
Still not comprehending, though understanding the depth of what she was being asked to do, those words resounded in her spirit, and so, almost without knowing why she did it, she passed this message on to her own daughter: “Remember.” And so, it was passed down through generations, across continents, over oceans, through rivers, atop mountains, written on clouds, intertwined in tree branches, and encoded in dreams when those memories had been forgotten. And so… I heard my grandmothers speak in a whisper, softly, yet firmly: “Remember.”
Ancestor(s) Stones are intuition mining tools. They represent ancient wisdom, antiquity. They are the knowing inherent in having bourn witness to the ages. They align with the string of memory that lives in DNA, passed down through generations. They represent grounding, leverage, or steps to take. The stones have taken many shapes.
Sticks are fuel for flame. They feed the fire. Inspire it to burn. They are motivation for the fire to continue. They are place markers. They are divination tools used in the location of underground water. They are broken branches: once connected to the tree.
I am the branch, extending back, resting on the bough of my mothers. I am the daughter of Elizabeth, Flora, Grace, Ora, Parthena, Zilpha, YOMHN… and her mother, and her mother, and her mother…
Click on play above to see the video of the online opening reception on Zoom
While in college I discovered the writings of American geographer John Wright who coined the term “geopiety:” geo from the Greek for earth and piety from the Latin pietas meaning sense of duty of filial love. This word so perfectly expresses my love and sense of devotion to the places that have filled my life. The landscapes of Georgia, New England, Florida, and the Midwest; the waters of the Great Lakes, Atlantic Ocean, Caribbean Sea, and the Gulf of Mexico all figure prominently in my work.
Although my work edges mostly on abstraction, I have always thought of myself as a landscape artist. Artists like Eva Hesse, Anselm Keifer, and Cy Twombly inspire me. Cartography and asemic writing are devices I rely on to explore my subject matter. Through line, color, material and gesture I attempt to honor the landscapes that I am deeply attached to. These landscape explorations are filtered through both experience and memory. Imagination plays an important role as well.
At times these abstracted landscapes can be internal mappings of the human body on a cellular level – a way of finding myself in the world. Other times they verge on more macrocosmic abstractions – a landscape as big as a galaxy. Often they navigate the space in between. It is within that space that I find balance between destruction and renewal, entanglement and order.
In this body of work, maps themselves become the vehicle to explore these ideas. Where am I? Where do I come from? Where am I going? These questions are at the heart of the manipulations of the maps. They become transformed by my wanderings, both literally and symbolically.
ERA OF PREPARATION AND DESIRE Virtual Opening Reception – Sat. Apr 3, 4-5pm
Tech Vanitas Virtual Opening Reception – Sat. May 1, 4-5pm
Click on Play below to see the online Zoom opening reception that took place on Sat. May 1.
Jeanette May’s “Tech Vanitas” photographs embrace anxiety over new technology and love for beautifully designed, obsolete machines. Her still lifes suggest 17th Century Dutch vanitas paintings with their air of craft guilds, international trade, and personal wealth. Her carefully disheveled arrangements of familiar devices also allude to product photography and advertising. “Tech Vanitas” examines the present and the past of technology with a sense of wonder and trepidation.
Plucked & Gleaned… an exhibition of fine art prints Virtual Opening Reception – Sat. Mar 6, 4-5pm
Exhibition dates: Mar 5 – 27, 2021
For a gallery view of the exhibition, see the video below:
Click the following link to view the Virtual Opening:
The virtual opening on YouTube contains a slideshow of the exhibit that includes the name of the artist and info about each piece.
Plucked and Gleaned is a group exhibition of fine art prints. The work on display touches on themes of identity, Midwest culture, place, and personal ecosystems. All of the works in the exhibition are by print artists living and making art in Northern Illinois and the Chicagoland area.