CONSCIOUSNESS OF ABSTRACTION: Beyond Literal Appearance– A Call for Entries Exhibit in March

CALL FOR ENTRIES JURIED BY ARTIST AND PROFESSOR DAVID REIF
Exhibit Dates MARCH 4 – MARCH 28 2020

CLICK HERE FOR APPLICATION FORM https://arcgallery.wufoo.com/forms/abstraction-at-arc-gallery/(application link may not work if viewed on phone–please copy and paste instead)

The terms “Abstraction” or “Abstract Art” are perhaps among the most common references describing particular way(s) of understanding and perceiving the cosmic and daily realities in which we find ourselves. (We might note, too, that the terms are often mis-applied as though they are necessarily in opposition to “Realism” or “Realistic Art”.) The truth is, however, that the abstract art “movements” of late 19th and early 20th century (Impression, Cubism, Expressionism, Surrealism, etc.) were driven by a passion to get closer to the complex realities of nature and human condition, not depart from them. Later, Minimalism, Neo-Dada, Geometric Abstraction, Conceptualism, Art Povera and other developments continue this “Big Bang” inquiry. Put simply, “Realism in Art” could no longer be described as an explicit fidelity to direct, observed, experience. This basic axiom remains, arguably, just as valid today: Reality is often far beyond simple, static appearance and can be highly counter-intuitive. Over the decades, the concepts of Relativity, Quantum Theory and the advent of photography – among many other ideas – have helped clarify, how and why this is so.
Abstraction, of course can be many different things, driven by many different principles and suppositions: some conscious, some intuitive. As an artist; What are yours? This exhibition is an invitation to submit, through the qualities and implications of your work, some conscious exploration of this question.

JUROR:    David Reif, Distinguished Professor Emeritus, Univ. Wyoming. BFA, Painting, Drawing, Printmaking, The Art Institute of Chicago; MFA, Sculpture, Yale Univ.; Assoc. Professor, Univ. of Michigan, Ann Arbor, MI.; Chair and Board, Wyoming Council for the Arts; Visiting Artist: Univ. of Northern Arizona, Univ. of Wisconsin, Madison, Univ. of Michigan, Colorado State Univ. Ft. Collins, Centenary College of Louisiana, Univ. of Houston, TX., Wayne State Univ. Detroit.
A Juried Exhibition at ARC Gallery, Chicago. Wed, March 4- to Sat, March 28th 2020

FEES: $40 for one to three images. $10 for each additional image (lower charge for students–High school or college students can pay a reduced fee of $25 per 3 entries with $10 for each additional entry (Please include copy of Student ID))
If paying by check, it must be received prior to jurying.

Emerging

EMERGING: Opening Reception Fri.  Nov 1, 6-9pm 

Many artists ‘begin’ their careers as artists not only in their early twenties but in later decades and for a wide variety of reasons—rediscovery of a long suppressed drive, delayed ability to focus on creating, a return to art school later in life, or a moment of enlightenment.This exhibition called for EMERGING artists of all ages and features the diversity of work that they are currently creating. All media was considered by the juror, including film/video/new media, mixed media/multi-disciplinary, installation and performance.

Artists selected by the juror to participate in the exhibit:

Malak Alraygi, Brooke Aruffo, Jenny Balisle, Amy Bernard, Jonathan Beskin, Rose Bonacorsi, Matthew Boonstra, Jonathan Bout, Michael Brooks, Paula Bullwinkel, Kristin Cass, Jeanne Ciracolo, Cheyenne Coston, Kimberly Dubsky, James Evans, Robert Fields, Daniel Gamez, Lindsay Garcia, Ashley Gardner, Jeanne Garrett, Parisa Ghaderi, LucyJulia Hale, Jeffry Dean Hinton, Alanna Huck-Scarry, Amanda Jean Iverson, Julie Johnson, Delphine Keim, Jill Kramer, JeeYeun Lee, Marisa Lewon, Sally Machlis, Camila Marianela, Eric Millikin, Sorocco Mucino, Darren Oberto, Judith Ornstein, Kurt Palmquist, Louise Pappageorge, Holly Pettersen, Anna Reed, Karen Sako, Fran Sampson, Gretchen Schreiber, Marcos Serafim, Emily Somoskey, Rhonda Urdang, Jennifer Velarde, Jonathan Ware, Czeslawa Wojtkowski, Christine Wuenschel, Hyewon Yoon, Jason Zhao

Juror: Laura Rudolph Cloud, Associate Professor, Michigan State University, Department of Art, Art History and Design. Sculpture Coordinator

 

Opening Reception, Friday, Nov 4, 6:00-9:00pm

  • Exhibition dates: Oct 30 – Nov 23, 2019

 

Jessica Gondek

Machine Reveries:  Opening Reception Fri.  Sept 6, 6-9pm

The primary focus of my work stems from an interest in technology, geometry, machine aesthetics, architecture and nature.  My work explores a dichotomous relationship between the hand and the machine. This series of recent drawings and paintings on exhibit at ARC Gallery & Educational Foundation examine gendered domestic machines from the early part of the twentieth century referencing trade catalogues and actual utilitarian objects.  These works hold in common a marriage of both traditional media and digitally mediated computer approaches intrinsic to the development of the images.  The mechanical forms within these compositions are transformed casting off their mundane function and asserting an animated physical presence and internal narrative connecting to the human condition.

 

Opening Reception, Friday, Sept 6, 6:00-9:00pm

  • Exhibition dates: Aug 28 – Sept 21, 2019 
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm  

Joe Steiner

Joe Steiner @ 80: New Paintings:  Opening Reception Fri.  Sept 6, 6-9pm

“I am an observational figurative painter. I work exclusively from life and find inspiration in the urban environment around my studio. Many of my models are people from the neighborhood. I talk to my models while I paint and this helps me to connect with them. My goal as an artist is to open the door to my emotions and sharpen my eye as an observer.”

 

Opening Reception, Friday, July 26, 6:00-9:00pm

  • Exhibition dates: Aug 28 – Sept 21, 2019 
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm  

Amy Zucker

TIME:  Opening Reception Fri.  Sept 6, 6-9pm

TIME “The indefinite continued process of existence and events in the past, present, and future.” (Merriam-Webster)

Aging is ever present. We resist with our choices and hope to make friends with the reality in the mirror and our minds. There can be judgment and disagreement in the choices we make to achieve youth or how we define healthy aging. The passage of TIME that defines aging however, is unavoidable, accepted and defined differently for us all.

I have long made art that relies heavily on my experiences as a nurse working with older adults and it has always served as a speaking point for me. I worked as a CNA in a nursing home when I was 16. I loved the residents’ white hair and faces, deep with wrinkles and lines. I am now middle aged and though I will always find them beautiful, I don’t want those features to be mine and I wonder about this. Irony? Hypocrisy? My mother lived to be 99 years old and in her mind she was forever young, always preferring to keep her age top secret. Even though she’d laugh with awareness after she’d say “I’m sweet sixteen!” youth and beauty would forever be desired by her.

My process has often been drawn to the act of sewing. It is both a memory and a companion to art making and nursing. Both my parents sewed. My mother sewed when she was young to make the clothes she could not afford but desired and later to adjust the clothes she could now buy but needed to tailor to her liking. My father was a surgeon and sewed tiny stitches both to mend due to an accident or to adjust for the patient’s desire. I have often felt the kinship of sewing to caregiving as an act of making repairs, closures and mending as we nurses help our patients seek out help to do the same.

 

Opening Reception, Friday, Sept 6, 6:00-9:00pm

  • Exhibition dates: Aug 28 – Sept 21, 2019 
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm  

Call for Entries “His-ter’-ee-uh”

A juried exhibition in March 2019 at ARC. Click here for prospectus and application form.

New exhibit at ARC Gallery, March 2019, juried by artist Olive Stefanski. (NEW DEADLINE FOR APPLICATIONS! —Jan. 26th, 11:55 pm)

With this exhibition, we are calling for art that addresses structural sexism—in particular, women’s emotional realities, and how that emotional reality plays out in a national atmosphere of distrust about women’s stories, women’s rationality and women’s anger.

His-ter’-ee-uh: from the Greek word “hystera”, or womb—an organ that was thought to migrate erratically through a woman’s abdomen, searching for “fragrant smells”, much like “an animal within an animal”. (Aretaeus, Greek physician, 2nd century AD)

While the uterus has become more sedentary over the intervening years, it nevertheless continued to be blamed for women’s irrationality and emotional distress. In the 19th century, a time marked by both physical constraints (corsets) and psychological restrictions (confinement to womanly activities), widespread concerns about female hysteria resulted in numerous cures for misbehaving wombs. A popular treatment for hysteria at the time was clitoral stimulation administered by one’s physician.

Today, in the inevitable backlash to the “MeToo” moment, women once again are distrusted, disdained (and sometimes diagnosed) for an emotionality that threatens the status quo. Women’s bodies continue to be the ground around which much of the conflict revolves. Strangely enough (as we saw in recent Supreme Court hearings) some of the hysteria around these events now seems to also emanate from men, which suggests the need for a new metaphor to explain the cause of women’s rage.

application form and prospectus: https://arcgallery.wufoo.com/forms/ahistereeuha/