SOLITUDE

SOLITUDE:  Virtual Opening Reception  Sat. Jan 9, 4-5pm 

Click the link below to download a slideshow of the exhibit:
1-Solitude ARC Jan-Feb 2021

Clink the link below to see the same slide show on YouTube
https://youtu.be/J5IiZec9TeM

Click the link for a : POWERPOINT PRESENTATION OF THE EXHIBIT:
https://screencast-o-matic.com/watch/crV6iOPa18

Juror: Danny Floyd

Exhibiting Artists:
Ahmari Benton, Jeffrey Brooks, Paula Bulwinkle, Elena Clark, Eli Craven, Andrea Ferrigno, Bob Fields, Cait Hardie, stephanie mei huang, Doina Iacob, Carol Irving, John Lane, Sangheon Kim, Douglas Malone, Therese Mulgrew, Dan Oliver, Robert Pockmire, Gwen Pryor, Kathryn Rodrigues, Sheri Rush, Mardy Sears, Sage Whitney, Gary Wolfe

Solitude can elicit either a sense of euphoria or peace, or a sense of confinement or punishment, while others are isolated in a community unit. As we move forward into the fall and winter months, and COVID continues to impede our movements and interactions, how do we, as individuals, or as members of a larger, even worldwide community, process these survival confinements? Artists use their mediums to express the inner joy, conflict, frustration, sadness or peace we find ourselves confronting. This show represents the creative endeavors of this process under the current circumstances —  keeping artists alone but pulling together into a community.

Gallery hours are: Fridays, 3-7pm; Saturdays and Sundays, 12-4pm. Masks for all visitors are required and no more than 6 people will be allowed in the gallery at one time. (Hours subject to change.)

ABOUT THE JUROR:

Danny Floyd is an artist, researcher, curator, and educator based out of Chicago. At the risk of confusion, his work seeks the narrow threshold between meaning and nonsense in text and images. Often at odds with neuro-normative conventions, he embraces divergent thinking through improvisation and the delightfully weird. He is the Exhibitions Director for ACRE and a Lecturer of Visual & Critical Studies and Sculpture at SAIC. Since 2013, he has been an active part of Chicago’s artist-run space community through two programs, Ballroom Projects and Adler & Floyd. He has held curatorial residencies with ACRE and Chicago Artists Coalition. He was also awarded the Gaylord and Dorothy Donnelley Foundation Curatorial Fellowship in 2017.

Virtual Opening Reception, Saturday, Jan 9, 4:00-5:00pm

  • Exhibition dates: Jan 8 – Feb 27, 2021
  • Gallery hours: Fri – 3-7 pm,  Sat & Sun – 12-4 pm  

Abigail Engstrand

Exhibiting Signs of Life:  Virtual Opening Reception  Sat. Nov 7, 4-5pm (via Zoom)

I need to stop trying to transplant my giant old hydrangea, as it’s too deep, wide, and heavy

(I realize now)
             and go back to my computer to reword a proper brief statement about my work.
I need to say something with poetic brevity
                   about what I’ve been observing and contemplating:
the fragility and resilience
                          of human body and spirit.
I feel my delicate decorative clothesline,
with the fleeting sketches on paper, torn, hanging chad’s left in place,
and the temporary nature of fibers (that used to keep living mammals warm and protected),
                                   illustrates my thoughts-
being recycled, in a way elevates to the realm of an art object –
                       a comparison, a dance… sometimes ironic.
I felt

I am a painter

I observe and build relationships. My fiber pictures, I call them “felts”, are often translated from another, more 2 dimensional medium, like a watercolor painting or charcoal drawing, into a multi-dimensional picture, by using fibers that have had another life before being selected for my visual adventure.

This new medium is old; it has either been an integral part of a living, breathing being, like sheep, alpaca, silk worm or dog, or a growing plant like bamboo, milkweed or corn fiber. Sometimes my chosen bits of color or texture have already served even more cycles of purpose, as an article of clothing or a blanket for human life. I feel good about honoring Mother Earth, and all her inhabitants, by reusing resources. I also relish including sentimental fibers and fabric scraps, relevant to the subject, drawing more personal connection into the piece…

Like watercolor puddles, and children, fibers have a life of their own that they lend to a planned picture; a spontaneity which toys with levels of artistic, or parental, control. There’s a constant dance working with them; deciding where boundaries are needed and when and where to let go, look, listen and appreciate the altered perception and new definition they’ve created! No matter which medium I use, in all my pictures there is language-sometimes literally, in words, but always imbued with attempts at communication; a story told in color, shape, and scentual* bridges.

*I love to add various natural essential oils to my hands and rubbed into the fibers as I work for an added dimension.

Virtual Opening, Saturday, Nov 7, 4:00-5:00pm

  • Exhibition dates: Oct 30 – Nov 21, 2020
  • Gallery hours: Fri 3-7pm – Sat & Sun 12-4 pm  

ARC Gallery Members’ Exhibition: STILL HERE

STILL HERE:  Virtual Opening Reception Sat. October 3, 4pm

2020 has been a challenging year for everyone, including artists and arts organizations. As one of the longest standing non-profit galleries in Chicago, ARC Gallery & Educational Foundation is pleased to let you know that we are “STILL HERE.” Please join the collective membership of ARC for its annual Members’ Exhibition! View artwork from its talented and diverse membership.

ARC, founded in 1973 as a women-run cooperative organization, has a long and distinguished history as a cultural institution in the city. ARC’s mission is to bring innovative, emerging and experimental visual art, to a wide range of viewers, and to provide a nurturing atmosphere for the continued development of artistic potential and dialogue. Celebrating 47 years in existence, ARC provides exhibition opportunities and support to artists, across all artistic disciplines including performance, sound, and video. The support ARC offers includes: professional presentation of work, significant financial subsidy of gallery space, group and themed show opportunities, and feedback and encouragement to young and emerging artists.

Celebrate another great year of existence during the Virtual Opening Reception on Saturday, October 4th from 4pm-5pm!

Participating Members: Granite Palombo Amit – Laura Cloud – Abigail Engstrand – Nancy Fritz – Iris Goldstein – Cait Hardie – Elyse Martin – Ruti Modlin – Cheri Reif Naselli – Randi Shepard – Lee Stanton – Michele Stutts – Michelle Williams

Affiliate Members: Kina BagovskaNancy Bechtol – Denise Bellezzo – Monica J. Brown – Virginia Carstarphen – Michele Corazzo – Esther Charbit – Jessica Gondek – Kristina Gosh – Cynthia Vaicunas – Amy Zucker

Interns:  Kofi Brooks – Paige Hall-Petry – Sabrina Sabella

 

Virtual Opening Reception, Saturday, Oct 3, 4:00pm

  • Exhibition dates: Oct 2 – 24, 2020
  • Gallery hours: Fri 3-7 pm,  Sat & Sun 12-4 pm  

ARTISTS FOR SOCIAL JUSTICE – Online Exhibition

ARTISTS FOR SOCIAL JUSTICE – Online Exhibition
Virtual Opening Reception: Sat. October 3, 4pm

Curator: Virginia Mallon

In response to the current political crises in America, a cadre of diverse and talented artists launched a year-long cross-country show into the heartland of America, united by the belief that art is and should be a catalyst for change.  Waylaid by the pandemic, the exhibit has launched virtually with planned exhibits in 2021.

Exhibiting Artists:
Donna Bassin, Beatrice Lebreton, Virginia Mallon, Susan Saunders, Marrisa Bridge, Lydia Makepeace, Jessica Nissen, Jonathan Talbot, Barbara Friedman, Dee Mallon, Yvonne Short, Jessica Waddington, Holly Gordon, Maggie Rose

Exhibition Tour Details:

ARC GALLERY & EDUCATIONAL FOUNDATION
VIRTUAL EXHIBIT
Chicago, IL
September 30 – November 21, 2020

KUPFERBERG CENTER FOR THE ARTS AT QUEENS COLLEGE
VIRTUAL EXHIBIT
New York, NY
October 2020

NEW HARMONY GALLERY OF CONTEMPORARY ART
New Harmony Indiana
August 2021

Virtual Opening Reception, Saturday, October 3, 4pm

  • Exhibition dates: Sept 30-Nov 21, 2020
  • Gallery hours: Fri 3-7 pm,  Sat & Sun 12-4 pm  

RESPIRATION(S) NOW! Online Exhibition

RESPIRATION(S) NOW!:  Online Exhibition

Juror: Angela Davis Fegan

Exhibiting Artists: Jillian Bruschera, Stefani Byrd, John Calavitta, Jasmine Clark, Rebecca Cynamon-Murphy, Jennifer Farrell, Sabella Flagg, Juan Giraldo, Heidi Hogden, Amy Leners, David Obermeyer, Shevare Perry, Heather Schroering, Amber Taylor, Devon Thompson, Hugo Ximello-Salido

View video of the full exhibition below:

View “The Razor’s Edge” HD video by Stefani Byrd here.
View Shevare Perry’s “30+2” here.
View Heather Schroering’s “The Mouths Chef David McAtee Fed” here.
View Amy Leners’ New Moon, Animated Monoprint here.
View Jen Ferrell’s full “Respiration Book” here.
Did you miss the virtual opening reception? You can view the dynamic artist discourse with juror, Angela Davis Fegan, here.

RESPIRATION(S) NOW!

At the crux of some of the current crises that the world is enduring right now, is breath: African-Americans are being denied the right to breathe; COVID 19 is attacking lungs; and the lungs of the planet are in need of restoration. Life on our planet is inter-connected. Divisions and exclusions will insure the continued separation of humanity. Together we live, or together we perish. Humans are the problem and the solution.

Compassionate, righteous indignation, coupled with action for legislative justice is needed to shape a future that includes racial equality, universal healthcare, and planetary stewardship. What does a future look like that allows us all to BREATHE freely?! Each citizen of this world has a RIGHT to BREATHE.

Juror Statement: Respiration(s) Now! Is a collective portrait of American discomfort. Reconsideration of long existing wounds. These interdisciplinary works weave together a multifaceted narrative about collective grief, breath, isolation, and the value of human life. Public space is forever changed. Public discourse has taken to the immediacy of the streets and social media. Perception is not reality, and with this multi-person perspective, we begin to see a fuller clearer picture. Hopefully the online nature of this show allows for rumination on these works in the viewer’s private space during this collective pause.

Featured image is video still of Shevare Perry’s “30+2”

 

  • Exhibition dates: Aug 28 – Sept 25, 2020
  • Gallery hours: Fri 3-7 pm,  Sat & Sun 12-4 pm  

REALITY AND ART

REALITY  AND ART:  Virtual Opening Reception Sat. Sept 12, 4-5pm
JURIED BY ARTIST AND PROFESSOR DANIELLE ANDRESS

Reality, Realism, Representation. Art is often about searching for and expressing reality, whether literally or conceptually. In our last juried show, “Consciousness of Abstraction”, we were interested in the movement away from imagery. This exhibition is a continuation of the conversation— from the considering of abstraction to the considering of its sibling genre, realism, reality and representation — or Reality and Art.

This environment of shifting and contradicting truths, denial of science, proliferation of  ‘alternative facts,’ and manipulations of imagery makes understanding reality and truth an illusive undertaking. The artist’s striving to express and understand reality becomes more complicated with this shifting appropriation of what is mere perception and what is reality. This show includes work that is representational in both the traditional sense of being compelled to express what you see and reality as a conceptual sense of using the contemporary current environment as a reference.

Exhibiting Artists:
Kristin Anderson, Allison Baker, Selene Bataille, Michael Borowski, Abbi Chase, Alexander Clark, Michele Corazzo, Robert Esau, SP Estes, Jack Flynn, Barbara Hansen, Michael Koerner, Jamie Kost, John Manno, Christopher Miller, Mary Murphy, Erin O’Neill, Daniel Walworth, Kelly Xintaris

(Image: Give Me Your Tired Your Poor by Barbara Hansen)

Exhibition Dates: Sept 2-26, 2020

  • Gallery hours: Fri 3-7pm – Sat & Sun 12-4 pm  

 

Bryana Bibbs

Power Trip:  Exhibition extended to October 24, 2020

Bryana Bibbs is a textile artist and painter. She graduated from the School of the Art Institute of Chicago (BFA 2014, Fiber and Material Studies) and is currently a teaching artist at the Art Institute of Chicago and the Evanston Art Center.

Power Trip is a body of work about exploitation, relationships, and self-validation. The exhibition features six new textile pieces and paintings.

 

Virtual Opening Reception: Saturday, Sept 12, 4-5pm

  • Exhibition dates: Sept 4 – Oct 24, 2020
  • Gallery hours: Fri 3-7 pm,  Sat & Sun 12-4 pm  

CONSCIOUSNESS OF ABSTRACTION: Beyond Literal Appearance

LINK TO VIDEO OF THE EXHIBIT  

Juried by David Reif:  Opening Reception Fri.  Mar 6, 6-9pm 

The terms “Abstraction” or “Abstract Art” are perhaps among the most common references describing particular way(s) of understanding and perceiving the cosmic and daily realities in which we find ourselves. (We might note, too, that the terms are often mis-applied as though they are necessarily in opposition to “Realism” or “Realistic Art”.) The truth is, however, that the abstract art “movements” of late 19th and early 20th century (Impression, Cubism, Expressionism, Surrealism, etc.) were driven by a passion to get closer to the complex realities of nature and human condition, not depart from them. Later, Minimalism, Neo-Dada, Geometric Abstraction, Conceptualism, Art Povera and other developments continue this “Big Bang” inquiry. Put simply, “Realism in Art” could no longer be described as an explicit fidelity to direct, observed, experience. This basic axiom remains, arguably, just as valid today: Reality is often far beyond simple, static appearance and can be highly counter-intuitive. Over the decades, the concepts of Relativity, Quantum Theory and the advent of photography – among many other ideas – have helped clarify, how and why this is so.

Abstraction, of course can be many different things, driven by many different principles and suppositions: some conscious, some intuitive. This exhibition invited artists to submit, through the qualities and implications of their work, some conscious exploration of this question.

EXHIBITING ARTISTS: Martin Altman, Kayla Bailey, Zoe Beaudry, Gretchen Beck, Curtis Anthony Bozif, Nancy Charak, Shuwan Chen, Miles Chumley, Chris Cinque, Lexi Coffee, Simone Collins, Barb Cone, Sally Duback, Gary Duehr, Ashley Edgerton, Jack Flynn, Judith Roston Freiilch, Alice George, Zack G Goulet, Mille Guldbeck, Carol Hamilton, David Hauptschein, Paula Henderson, Kate Hendrickson, Susan Hensel, Megan Hinds, Nancy Hlavacek, Kate Pollard Hoffman, Neil Kalmanson, Jamie Kost, Sarah Kreuter, lialia Kuchma, Carrie L. Larson, Chris Law, Denton-Peter McCabe, Jon Merritt, Nabil Mousa, Socorro Mucino, Jen Pagnini, Denise Presnell, Gina Lee Robbins, Sabrina Sabella, Fran Sampson, Judith Shepelak, Eunhye Shin, Casey Sills, Pamela Simard, Marion Sirefman, Jim Sloman, Jeff Stevenson, Sharon Swidler, Nils Timm

JUROR: David Reif, Distinguished Professor Emeritus, Univ. Wyoming. BFA, Painting, Drawing, Printmaking, The Art Institute of Chicago; MFA, Sculpture, Yale Univ.; Assoc. Professor, Univ. of Michigan, Ann Arbor, MI.; Chair and Board, Wyoming Council for the Arts; Visiting Artist: Univ. of Northern Arizona, Univ. of Wisconsin, Madison, Univ. of Michigan, Colorado State Univ. Ft. Collins, Centenary College of Louisiana, Univ. of Houston, TX., Wayne State Univ. Detroit.

VIDEO LINK TO VIEWING EXHIBITION:  https://youtu.be/fTFgw3RG05A

Opening Reception, Friday, March 6, 6:00-9:00pm

  • Exhibition dates: March 4 – April 30, 2020
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm  

What Remains

What Remains: On the Sacred, The Lost, and the Forgotten Relics of Live Art:  Opening Reception Fri.  Feb 7, 6-9pm

CURATED BY IEKE TRINKS [NETHERLANDS]

Massive in scale and retrospective by nature, What Remains is the first exhibition of Defibrillator Gallery’s 10th anniversary year. Curated by Netherlands-based ieke Trinks, this visual art exhibition and performance art series features a cohort of artists from around the world who responded to an open call to reanimate Defibrillator’s collection of objects from performances that took place over the past nine years.

What Remains will take place from February 7th to the 28th, 2020 at Defibrillator’s former home (now ARC Gallery) in Noble Square – framing the site itself as a relic or record of ephemeral practices. Gallery hours for the visual art exhibition are Wednesdays through Saturdays from 12 to 6pm and Sundays 12 to 4pm. Events at ARC Gallery are free and open to the public. Satellite events may request a small donation at the door.

What Remains features 40 local, national, and international artists:

A_Marcel [Boston b. Latvia] | Alice Vogler [Atlanta] | Angeliki Chaido Tsoli [Greece] | Ashley Hollingshead [Minneapolis] | Bernard Roddy [Chicago] | Christian Bujold [Canada] | Christine Ferrera + Dan Hanrahan [Chicago] | Doro Seror [Germany] | Emilia White [Ann Arbor] | Erin Evans Delaney + Maria Luisa [Chicago] | Erin Peisert [Minneapolis] + Amy Whitaker [Cincinnati] | Esther Neff + Kaia Gilje [St. Louis] | Eunjin Choi [Los Angeles b. South Korea] | Frans van Lent [Netherlands] | Heinrich Obst [Belgium, b. Washington D.C.] | Jacqueline van de Geer [Canada, b. The Netherlands] | Janneke Schoene [Sweden b. Germany] | Jeremy Saya [Canada] | Jessica van Deursen [Netherlands] | John Thomure [Chicago] | Jolanda Jansen [Netherlands] | Katya Oicherman [Minneapolis, b. Russia] | Kirsten Heshusius [Netherlands] | Kristin McWharter [Chicago] | Lola Blake + Ezra Hawkins [Chicago] | Madison Juliana Alexander [Chicago] | Marina Resende Santos [Chicago b. Brazil] | Marval A Rex [Los Angeles] | Maya Nguen [Chicago b. Russia] + Noa/h Fields [Chicago] | Nick Tobier [Ann Arbor + Detroit] | Nicole Goodwin [New York] | Nina Boas [Netherlands b.France] | Nora + Mána [Chicago] | Owen Moran [Milwaukee] | Patrícia Janeiro [Netherlands b. Portugal] | Peter Baren [Netherlands] | Renan Marcondes [Germany b. Brazil] | SUNGJAE LEE [Chicago b. South Korea] | will sōderberg… [desplaines] | Zander Porter [Germany b. Los Angeles]

 

Schedule ::

What Remains is divided into FOUR CHAPTERS with a specific themes that include a performance art series, visual art installations, discussions, and satellite events on the following days:

*click the CHAPTER links for detailed information about each week.

CHAPTER 1:  FIXING | FRI 07 > SUN 09 FEB

  • FRI 07 FEB | 6-9PM | Opening + Performance Program.
  • SAT 08 FEB | 3-6PM | Witness work being installed
  • SUN 09 FEB | 2-4PM | Soup Kitchen Conversation: The Impulse to Collect

CHAPTER 2: MERGE | WED 12 > SUN 16 FEB 

  • WED 12 FEB | 12:12PM | Off-site GUERRILLA STREET ACTION | Location TBA
  • THU 13 FEB | 12-6PM | Witness work being installed  
  • SAT 15 FEB | 6-9PM | Performance Program
  • SAT 15 FEB | 10-12PM | Off-site Late Night Performance Program | Bridgeport Location TBA

 CHAPTER 3: REFERENTIAL | WED 19 > SUN 23 FEB 

  • WED 19 FEB | 4-6PM | Witness work being installed  
  • THU 20 FEB | 4-6PM | Witness work being installed  
  • THU 20 FEB | 7-9PM | Off-site Performance Program: No Nation 
  • SAT 22 FEB | 6-9PM | Performance Program
  • SUN 23 FEB | 2-4PM | Soup Kitchen Conversation: Activating an Archive of Ephemeral Practices 

CHAPTER 4: CONSUME | TUE 25 > FRI 28 FEB 

  • TUE 25 FEB | 7-9PM | Off-site Video Program: Nightingale Cinema
  • FRI 28 FEB | 6-10PM | Performance Program + Finissage

About What Remains ::

What Remains explores the connection between performance and relic. Instigator and artist ieke Trinks conceived of a curatorial project that would speak to the challenges of keeping records of live performances beyond the dominant and didactic lens of video and photographic documentation. The project is structured around proposals from artists to re-interpret the relics in the Defibrillator object archive and provide a framework for reconceptualizing their value and meaning through new works.

What Remains tackles several questions, including: What impact does history have on a performance object’s status? What value does an object have when it is not specifically an artwork itself, or not intended to be, but is now being framed as such? How much will the relic tell us about the performance for which it was originally used? What is the purpose and value of the collection? These questions and more are addressed through performances and discussions throughout the month.

The exhibition will focus on a different theme each week: FIXING, MERGE, REFERENTIAL, and CONSUME. The presentation of objects will change from week to week, with new pieces added when relics are reactivated as performances or installations. The relics that aren’t yet activated will be on view downstairs in the basement on shelves waiting to be used and displayed. The overall idea for the exhibition is to keep it vivid and in a constant flux, just like the nature of performance art itself. Transformation of the space and installation of objects will be done during open gallery hours, underlining the performativity of the accumulation and exhibition of relics. There will also be space given to display the 91 submitted letter-size proposals from around the world.

Participating artists ::

What Remains features four Netherlands-based visiting artists Nina Boas, Jolanda Jansen, Frans van Lent, and Kirsten Heshusius; all other artists have been selected from an open call. When putting out the call Trinks wrote, “Proposals can be bold, daring, (un)conventional, conceptual, personal, insightful, (de)constructive, (ir)responsible, monumental, fleeting, portable, technical, emotional, minimal, and all of the above.”

 

About the curator and organization ::

ieke Trinks | Curator (b. 1977) is an artist living and working in the Netherlands where she received a Master of Fine Arts. In 2017 she finalized her second Masters degree in Critical & Pedagogical Studies at the Malmö Art Academy in Sweden. Trinks has performed extensively at international venues, including: Galerie für Zeitgenössische Kunst [Leipzig, 2019]; 13 Festivalen [Gothenburg 2018]; Performance Site [The Hague 2017], New Performance Turku Festival [Finland 2015]; Amorph!14, performance art festival [Helsinki 2014]; Bienal Internacional de Curitiba [Brazil 2013]; Out of Site Chicago [2013]; FADO Performance Art Centre [Toronto 2013]. And since 2013 Trinks has been a returning performer at DFBRL8R. In the past three years Trinks has done research on performance art documentation, and wrote on performance art initiatives in the Netherlands as a contribution for the publication ‘Art Action 1998 – 2018’ by Le Lieu, centre en art actuel [Quebec City]. Trinks is since 2010 co-organiser of PAE (Performance Art Event) and works since 2008 in collaboration with the all-women performance troupe, TRICKSTER. www.ieketrinks.nl.

Defibrillator Gallery [www.DFBRL8R.org] is an international platform for Performance Art known for bold and courageous programming that aims to provoke thought and stimulate discourse surrounding experimental time-based practices. DFBRL8R actively contributes to a global dialogs about conceptual, ephemeral, or enigmatic modes of expression – aiming to raise awareness, appreciation, and respect for the discipline of Performance Art. DFBRL8R LTD is a 501c3 arts organization made possible with support from The Tanne Foundation Award; Reva and David Logan Foundation; Elizabeth Morse Genius Charitable Trust; Martha Strutters Farley and Donald C. Farley, Jr. Family Foundation; Zhou B Art Center; DFBRL8R Board of Directors; and generous contributions from our loving community.

Opening Reception, Friday, Feb 7, 6:00-9:00pm
  • Exhibition dates: Feb 7-28, 2019 
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm  

Judith Roth

A Life of Art, A Life of Joy:  Opening Reception Fri.  Jan 10, 6-9pm 

Born in Boston, Massachusetts, Roth graduated from the Boston Museum School on scholarship, earned a BFA from Tufts University.Another scholarship was awarded before her senior year to attend Skowhegan School of Painting and Sculpture. Later she took classes at theSchool of the Art Institute (SAIC) and the Hyde Park Art Center.

Roth taught figure drawing and painting for many years at institutions including SAIC, Columbia College in Chicago, Suburban Fine Arts Center (now The Art Center) in Highland Park IL; The Figurative Art League, founded by Fred Berger, in Evanston IL; and Adler House in Libertyville IL.

She has been the recipient of many awards & purchase prizes including an Illinois Arts Council Project Completion Grant which culminated in a one-person show at the Illinois Arts Council, Chicago IL.

Widely exhibited, Roth’s many exhibitions include Butler Institute of American Art, Youngstown, Ohio; Maier Museum of Art, Lynchburg, Virginia; Trenton State College, Trenton NJ; National Academy of Design, New York; Wright State University, Dayton OH, College of Lake County, Grayslake IL; J. Rosenthal Fine Arts, Ltd., Chicago IL.

Some of the many private and corporate collections that hold her art are: Blue Cross/Blue Shield of Illinois; Sandoz/Novartis, AG, Switzerland; Illinois State Museum, Springfield IL; College of Lake County Foundation, Grayslake IL ; Schiff, Hardin & Waite, Chicago IL; Whole Health Management, Inc., Cleveland Ohio, Abbott Laboratories, etc.

Selected by the Illinois Committee for the National Museum of Women in the Arts, her drawing “The Dance” was included in the exhibition “Illinois Women Artists: The New Millennium” a show which traveled from the John Thompson Center, Chicago to the National Museum of Women in the Arts, Washington, DC where it was on view for three months; then continued to travel to museums and galleries throughout Illinois for two years.

Her painting “War” was featured in an exhibition at the Spertus Museum in Chicago, IL. ”Engaging With the Present: The Contribution of the American Jewish Artists Club to Modern Art in Chicago, 1928-2004”.

As president of the Chicago Women’s Caucus for Art (CWCA) 2001-2005, she founded The Ravenswood Corridor Arts & Industry Walk (now the greatly expanded Ravenswood ArtWalk (RAW), to engage her community via the CWCA, with Chicago Artists’ Month, and in 2006 was appointed by Alderman Schulter to the CTA Brown Line “Arts in Transit” panel.

That year she was also honored by the Ravenswood Community Council “in recognition and appreciation for outstanding dedication and service to the Ravenswood Community.”

Featured in a two person show “Figures” at College of Lake County in 2009, she is an affiliate member of ARC Gallery, Chicago Illinois, one of the longest running women’s cooperative galleries in the country, and showed a major collaborative piece at the gallery’s Member’s Show “Collaboration” in October in conjunction with the 2009 Chicago Artists’ Month.

From 2004-2009 she had a large body of work on view at the Berman Center, a women’s health and wellness facility founded by Dr. Laura Berman, at 211 E. Ontario St., Chicago IL, and in 2010 was honored by the Chicago Women’s Caucus for Art for “Excellence in the Arts” as an artist, artist advocate, and founder of Ravenswood ArtWalk.

 

Opening Reception, Friday, Jan 10, 6:00-9:00pm

  • Exhibition dates: Jan 8 – Feb 1, 2019 
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm