Adriana Miranda

DOMESHTICK  Opening Reception Fri.  Oct 28, 5-8pm

Adriana Miranda was born in Phoenix, AZ and moved to Oak Park, IL with her family at age five.

Adriana expressed her creative prowess early in life through music and art. Adriana’s coming-of-age involved Basquiat, her father’s house music expertise, her love for learning, and lots of video games. Her adulthood has been shaped by the chance to reclaim her childhood through parenting. Today, Adriana is working to make a statement in the fine art industry about the power of memory and letting go.

Opening Reception, Friday, October 28, 5:00-8:00pm

  • Exhibition dates: Oct 27 –  Nov 19, 2022
  • Gallery hours: Thurs – Fri 2-6pm, Sat – Sun 12-4 pm

 

This program is partially supported by a grant from the Illinois Arts Council Agency.

PERSPECTIVES: FIGURATION AND ABSTRACTION IN CONTEMPORARY BLACK ART

PERSPECTIVES: FIGURATION AND ABSTRACTION IN CONTEMPORARY BLACK ART  Opening Reception Fri.  Oct 28, 5-8pm;  Exhibition Discussion: Sat.  Oct 29, 1pm

Curator: Spencer Hutchinson

For nearly the entire history of Black Artists’ existence in the U.S., black art has been largely segregated from the concerns of mainstream Modern, Postmodern, and Contemporary Art, and usually focused on the human figure. Even visual artists as unconventional as Jean Michel Basquiat still frame the representation of the black body as the center of their Art making. Recently, this trend has been undergoing a change. Artists such as Julie Mehrutu and Mark Bradford have crossed the rubicon into Abstraction and into a frame of discourse that long excluded Black Artists while much older Black artists working in Abstraction going back decades such as Macarthur Binion are experiencing a renaissance and having their art being given the credibility that evaded them in years past. At the heart of this show are the questions what respectively drive Black Representational and Black Abstract Art? How are these motivations distinct from “Mainstream” representational and abstract art that the general public are more familiar with? How do representation and abstraction inform and contextualize each other in the discourse surrounding Black art and are there implications within this realm of discourse that can help shed light on the ontology of figuration and abstraction more broadly. This show attempts to equally represent Black figurative and abstract artists working in the mediums of Painting, drawing, printmaking, photography, and sculpture across a broad range of the African diaspora. We seek to include artists at all levels of their careers regardless of age, gender, ability, or sexual orientation to help drive the conversation and engender broader understanding of these two major themes in Contemporary Black Art.

A Statement on PERSPECTIVES by the curator:

In 1933 curator James V. Herring, philosopher Alain Locke and visual artist James A. Porter joined forces and put together a show featuring the various contributions made by African American Artists at all levels of training, education and professional accomplishment throughout the country to showcase what we now take for granted as being at the foundation of Modern Black Aesthetic Interests.

In the year 2022, only 89 years after the opening of a show that was erected at The Smithsonian Institution’s National Gallery of Art, many of the same issues addressed by Herring, Locke and Porter continue to resonate with us today. The centrality of The Black Experience, of African Identity, and of a sense of participation in a society in which one finds oneself to be so deeply enmeshed, and yet held so far apart from.

The location of Black Art’s contribution to society shifts with-in the American Psyche, in the ebb and flow of time, just as America’s relationship with us, her African-American inhabitants has. The styles have changed, somewhat, but the lived social realities remain very much the same. Intended to also act in recent historical concert with similar shows that have showcased Black Artists working today, specifically the ICONIC: Black Panther show at The Stony Island Artsbank in The Chatham/Southshore Neighborhood, PERSPECTIVES revisits what may have been the same subjective themes in 1933 revisited for the benefit of a contemporary audience, namely the representation of the human Figure, and the concept of Abstraction from the figure, from nature itself, and from the depths of the human psyche.

The Art that has been chosen, reflects the times in which Black Artists find themselves in yet again. I hope the work in this show teaches us to live for today, and celebrate the continued vibrance, vitality, and impact of Black Art in The City of Chicago and around the world.

 

Exhibiting Artists: 

Krystal Boney, Austen Brantley, Summer Brooks, Amel Dockery, Zahra Edwards, Angela Davis Fegan, Erol Harris II, Jennifer Hodges, Lindsay Johnson, George Jones, Rhian Kempadoo-Millar, Anika Kowalik, MISU, Marcela Adeze Okeke, Turtel Onli, Angie Redmond, Michele Stutts, Narvell Taylor, Darlene Tyree, Cheryl Toles, Nia Wilson

About the Curator:

Spencer Hutchinson is a 2020 MFA graduate from The University of Illinois at Chicago where he studied Studio and New Media Arts (specifically Painting and Sound) and a 2009 BFA graduate from The School of the Art Institute of Chicago where he studied Sound, Painting and New Media. His work primarily deals with intersections across visual media, particularly painting, drawing, sculpture, architecture, performance, 3D animation, video and sound as well as topics relating to race and art theory and criticism. He has shown nationally and internationally in Mexico City, Ravenna IT, Assisi IT, Dubai UAE, and Manchester UK and previously served as editor and art critic for the New Art Examiner as well as being a founding member of Agitator Cooperative Gallery in Chicago. He has been a working artist based in Chicago, IL since 2007.

Opening Reception, Friday, October 28, 5:00-8:00pm
Exhibition Discussion: Sat.  Oct 29, 1pm

  • Exhibition dates: Oct 27 –  Nov 19, 2022
  • Gallery hours: Thurs – Fri 2-6pm, Sat – Sun 12-4 pm

 

This program is partially supported by a grant from the Illinois Arts Council Agency.

Jenny Chernansky

In the Shadow of the Feminine:  Virtual Opening Reception – Sat. Dec 5, 4-5pm

SEE THE EXHIBIT ON YOUTUBE BELOW:
Join us here Saturday, December 5, 4pm via Zoom:
Meeting ID: 915 8673 3882
Passcode: 130261

The depth of the shadow is equivalent to the strength of the light. They are relative and dependent on each other without hierarchy   Shadows are often subtle, unseen yet necessary for sight. They play with our imaginations, our fears and dreams. The idea of a shadow has many implications; from the interference of light, the mysterious unknown, the Jungian idea of repressed aspects of the psyche, even the beginnings of painting have been associated with the tracing of a shadow. Throughout history, religion, and culture the feminine is often condemned to darkness, kept in the shadows, divided into categories such as virgin and whore. The show attempts to shine a light on the feminine shadow.

 

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Cynthia Vaicunas

FLOAT:  Opening Reception Fri.  May 3, 6-9pm

In Cynthia’s new work gestural big brush strokes run into dense repetitive areas of bold color – challenging the flow by their placement. Her willingness to switch materials contribute to stops and starts to emphasize a point. Introduction of lozenge like shapes drop from the top to the bottom of the picture plane and interrupt the underlying primary movement. Both gently and boldly they reveal themselves. Like bombs they carry weight both visually and emotionally as they alternately float and drop redefining space and altering our perceptions. They force us to see what happens when an opposing force is introduced.

Opening Reception, Friday, May 3, 6:00-9:00pm

  • Exhibition dates: May 1 – 25, 2019 
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm  

Katherine Nemanich

Line, Ink, Space:  Opening  Reception Fri.  May 3, 6-9pm 

Working with sumi ink and brushes of many sizes, Katherine Nemanich paints with broad movements that echo the rhythmic flow and rhetoric of selected musical compositions. She then transforms these marks into three-dimensional constructions as she tears and combines her calligraphic paintings, bending and layering the durable 100% cotton paper and fastening it in places with industrial elements—grommets, bolts, and wire. Nemanich’s constructions are non-rectangular and extend outwards across the wall or floor, or suspend from the ceiling.

Opening Reception, Friday, May 3, 6:00-9:00pm

  • Exhibition dates: May 1 – 25, 2019 
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm  

Susan Emmerson

Afterwards: Opening Reception Fri. May 3, 6-9 pm

Susan Emmerson’s work speaks to the cause and consequences of natural disasters, both on a personal emotional level and on a more global scientific level. Using paper, Tyvek (a plastic paper), and drawings she explores the scenes of destruction and the imagery of loss. The wall sculptures depict disheveled, broken surfaces where Tyvek painfully peels away like paint or skin, and found objects and photos that recall lost mementos of home.

Opening Reception, Friday, May 3, 6:00-9:00pm

  • Exhibition dates: May 1 – 25, 2019 
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm 

Nelson W. Armour

Beyond:  Opening Reception Fri.  May 31, 6-9pm

In the series “Beyond” the images are meant to imply, to suggest, or to infer. Each environment is unique and the image aims at transcending the immediate setting into another realm. The viewer is invited to enter this territory and discover a new dimension.

These images seek to evoke mood, tension, and the unknown. While much of my work is rooted in reality, this series starts from a specific location but ends somewhere else. We live in times where the issue of what is real and what is not real is thrust upon us. This work invades this terrain.

Opening Reception, Friday, May 31, 6:00-9:00pm

  • Exhibition dates: May 29 – June 22, 2019 
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm  

nitty-gritty NIU Thesis Exhibition

March 28 – April 21

Opening Reception

March 30th

6 – 9 PM

M. Brej • A. Cortes • S. Dupré • N. Elson • R. Griffith • R. Hill

L. Iacoponi • M. Kennedy Nora • K. Rodey • E. Sawka • T. Silver • A. Viola