Emerging

EMERGING: Opening Reception Fri.  Nov 1, 6-9pm 

Many artists ‘begin’ their careers as artists not only in their early twenties but in later decades and for a wide variety of reasons—rediscovery of a long suppressed drive, delayed ability to focus on creating, a return to art school later in life, or a moment of enlightenment.This exhibition called for EMERGING artists of all ages and features the diversity of work that they are currently creating. All media was considered by the juror, including film/video/new media, mixed media/multi-disciplinary, installation and performance.

Artists selected by the juror to participate in the exhibit:

Malak Alraygi, Brooke Aruffo, Jenny Balisle, Amy Bernard, Jonathan Beskin, Rose Bonacorsi, Matthew Boonstra, Jonathan Bout, Michael Brooks, Paula Bullwinkel, Kristin Cass, Jeanne Ciravolo, Cheyenne Coston, Kimberly Dubsky, James Evans, Robert Fields, Daniel Gamez, Lindsay Garcia, Ashley Gardner, Jeanne Garrett, Parisa Ghaderi, LucyJulia Hale, Jeffry Dean Hinton, Alanna Huck-Scarry, Amanda Jean Iverson, Julie Johnson, Delphine Keim, Jill Kramer, JeeYeun Lee, Marisa Lewon, Sally Machlis, Camila Marianela, Eric Millikin, Socorro Mucino, Darren Oberto, Judith Ornstein, Kurt Palmquist, Louise Pappageorge, Holly Pettersen, Anna Reed, Karen Sako, Fran Sampson, Gretchen Schreiber, Marcos Serafim, Ebrahim Soltani, Emily Somoskey, Rhonda Urdang, Jennifer Velarde, Jonathan Ware, Czeslawa Wojtkowski, Christine Wuenschel, Hyewon Yoon, Jason Zhao

Juror: Laura Rudolph Cloud, Associate Professor, Michigan State University, Department of Art, Art History and Design. Sculpture Coordinator

 

Opening Reception, Friday, Nov 1, 6:00-9:00pm

  • Exhibition dates: Oct 30 – Nov 23, 2019

 

Iris Goldstein

RETROSPECTION  Coming in Late Nov-Dec. 2019

Iris Goldstein is a Chicago-based artist who has experimented with various sculpture formats.  She worked with hand tools to carve wood sculptures alluding to human forms, then moved on to work with plaster and other hardware-store materials allowing her a freedom of expression that belied the humdrum nature of her sculptural tools.

After working for a number of years creating painted plaster wall-relief sculptures, Goldstein more recently has experimented with using colored pencils on paper to see whether she can create a sense of three-dimensional space on paper.  This exhibit features a collection of drawings meant to mimic and elaborate on some of her sculptural ideas and is also a mini retrospective of the variety of her earlier work.

Exhibition dates: Wed. November 27  to Sat. December 21, 2019 . Opening Reception:  Friday Nov 29  6-9pm

Randi Shepard

BEYOND THE SURFACE  Coming in late Nov, Dec. 2019

In the age of social media, people are experiencing more anxiety than ever, and more commonly being diagnosed with depression. How has the human experience changed? What motivates us in how we choose to spend our time?

Randi Shepard’s current work questions the value of our experiences and explores the theme of loneliness. The most valuable and fulfilling experiences are those where there is a strong connection with others. And, sometimes the loneliest feelings can occur not when we are alone, but when we are actually with others.

Just as these images change when you view them up close, and bring your attention to the flat shapes laying on the paper, we also need to step back, look beyond the surface and tap into the world that opens up when we let the stories, the personalities, and the feelings unfold.

Exhibition dates: Wed. November 27  to Sat. December 21, 2019 . Opening Reception:  Friday Nov 29  6-9pm

Clairan Ferrono

TORN THINGS    Coming in Late Nov-Dec. 2019

Clairan Ferrono says “Our nation, our world seems pretty ragged today. The Torn Things series was inspired by Tibetan prayer flags and Japanese and other indigenous peoples’ prayer trees. Each piece represents a prayer, a plea, an incantation for betterment of: climate, resources, political life, ”

Exhibition dates: Wed. November 27  to Sat. December 21, 2019 . Opening Reception:  Friday Nov 29  6-9pm

CONSCIOUSNESS OF ABSTRACTION: Beyond Literal Appearance– A Call for Entries Exhibit in March

CALL FOR ENTRIES JURIED BY ARTIST AND PROFESSOR DAVID REIF
Exhibit Dates MARCH 4 – MARCH 28 2020

CLICK HERE FOR APPLICATION FORM https://arcgallery.wufoo.com/forms/abstraction-at-arc-gallery/(application link may not work if viewed on phone–please copy and paste instead)

The terms “Abstraction” or “Abstract Art” are perhaps among the most common references describing particular way(s) of understanding and perceiving the cosmic and daily realities in which we find ourselves. (We might note, too, that the terms are often mis-applied as though they are necessarily in opposition to “Realism” or “Realistic Art”.) The truth is, however, that the abstract art “movements” of late 19th and early 20th century (Impression, Cubism, Expressionism, Surrealism, etc.) were driven by a passion to get closer to the complex realities of nature and human condition, not depart from them. Later, Minimalism, Neo-Dada, Geometric Abstraction, Conceptualism, Art Povera and other developments continue this “Big Bang” inquiry. Put simply, “Realism in Art” could no longer be described as an explicit fidelity to direct, observed, experience. This basic axiom remains, arguably, just as valid today: Reality is often far beyond simple, static appearance and can be highly counter-intuitive. Over the decades, the concepts of Relativity, Quantum Theory and the advent of photography – among many other ideas – have helped clarify, how and why this is so.
Abstraction, of course can be many different things, driven by many different principles and suppositions: some conscious, some intuitive. As an artist; What are yours? This exhibition is an invitation to submit, through the qualities and implications of your work, some conscious exploration of this question.

JUROR:    David Reif, Distinguished Professor Emeritus, Univ. Wyoming. BFA, Painting, Drawing, Printmaking, The Art Institute of Chicago; MFA, Sculpture, Yale Univ.; Assoc. Professor, Univ. of Michigan, Ann Arbor, MI.; Chair and Board, Wyoming Council for the Arts; Visiting Artist: Univ. of Northern Arizona, Univ. of Wisconsin, Madison, Univ. of Michigan, Colorado State Univ. Ft. Collins, Centenary College of Louisiana, Univ. of Houston, TX., Wayne State Univ. Detroit.
A Juried Exhibition at ARC Gallery, Chicago. Wed, March 4- to Sat, March 28th 2020

FEES: $40 for one to three images. $10 for each additional image (lower charge for students–High school or college students can pay a reduced fee of $25 per 3 entries with $10 for each additional entry (Please include copy of Student ID))
If paying by check, it must be received prior to jurying.

ARC Gallery Members’ Exhibition

NOW: 46 Years and Counting:  Opening Reception Fri.  October 4, 6-9pm

Please join the collective membership of ARC for its annual Members’ Exhibition! View current artwork from its talented and diverse membership.

Performance, Painting Installation from 6-9pm: “Now… No Really Now” by Karen Lange

Poetry Reading at 7pm: “Time, Space & Memory” by Monica J. Brown

Participating Members: Granite Palombo Amit – Virginia Carstarphen –Abigail Engstrand – Nancy Fritz – Iris Goldstein – Cait Hardie – Elyse Martin – Ruti Modlin – Cheri Reif Naselli – Randi Shepard – Lee Stanton – Michele Stutts – Cynthia Vaicunas – Amy Zucker

Affiliate Members: Kina Bagovska – Nancy Bechtol – Denise Bellezzo– Monica J. Brown – Esther Charbit – Anne Farley Gaines – Jessica Gondek – Pauline Kochanski – Karen Lange – Jane Stevens

Interns: Carol Chang – Rachel Gluski – Luci Liquori – Ilse Miller

As one of the oldest and largest non-profit galleries in Chicago, ARC Gallery & Educational Foundation (ARC) has a long and distinguished history as a cultural institution in the city. Founded in 1973 as a women’s cooperative organization, ARC not only provided exhibition space to 2-D and 3-D artists, but installation and video arts.

ARC’s mission is to bring innovative, emerging and experimental visual art, to a wide range of viewers, and to provide a nurturing atmosphere for the continued development of artistic potential and dialogue. Celebrating 46 years in existence, ARC provides exhibition opportunities and support to artists, across all artistic disciplines including performance, sound, and video. The support ARC offers includes: professional presentation of work, significant financial subsidy of gallery space, group and themed show opportunities, and feedback and encouragement to young and emerging artists.

Celebrate another great year of existence at its opening reception on Friday, October 4th from 6pm-9pm!

Opening Reception, Friday, Oct 4, 6:00-9:00pm

  • Exhibition dates: Sep 25 – Oct 26, 2019

Jessica Gondek

Machine Reveries:  Opening Reception Fri.  Sept 6, 6-9pm

The primary focus of my work stems from an interest in technology, geometry, machine aesthetics, architecture and nature.  My work explores a dichotomous relationship between the hand and the machine. This series of recent drawings and paintings on exhibit at ARC Gallery & Educational Foundation examine gendered domestic machines from the early part of the twentieth century referencing trade catalogues and actual utilitarian objects.  These works hold in common a marriage of both traditional media and digitally mediated computer approaches intrinsic to the development of the images.  The mechanical forms within these compositions are transformed casting off their mundane function and asserting an animated physical presence and internal narrative connecting to the human condition.

 

Opening Reception, Friday, Sept 6, 6:00-9:00pm

  • Exhibition dates: Aug 28 – Sept 21, 2019 
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm  

Joe Steiner

Joe Steiner @ 80: New Paintings:  Opening Reception Fri.  Sept 6, 6-9pm

“I am an observational figurative painter. I work exclusively from life and find inspiration in the urban environment around my studio. Many of my models are people from the neighborhood. I talk to my models while I paint and this helps me to connect with them. My goal as an artist is to open the door to my emotions and sharpen my eye as an observer.”

 

Opening Reception, Friday, July 26, 6:00-9:00pm

  • Exhibition dates: Aug 28 – Sept 21, 2019 
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm  

Amy Zucker

TIME:  Opening Reception Fri.  Sept 6, 6-9pm

TIME “The indefinite continued process of existence and events in the past, present, and future.” (Merriam-Webster)

Aging is ever present. We resist with our choices and hope to make friends with the reality in the mirror and our minds. There can be judgment and disagreement in the choices we make to achieve youth or how we define healthy aging. The passage of TIME that defines aging however, is unavoidable, accepted and defined differently for us all.

I have long made art that relies heavily on my experiences as a nurse working with older adults and it has always served as a speaking point for me. I worked as a CNA in a nursing home when I was 16. I loved the residents’ white hair and faces, deep with wrinkles and lines. I am now middle aged and though I will always find them beautiful, I don’t want those features to be mine and I wonder about this. Irony? Hypocrisy? My mother lived to be 99 years old and in her mind she was forever young, always preferring to keep her age top secret. Even though she’d laugh with awareness after she’d say “I’m sweet sixteen!” youth and beauty would forever be desired by her.

My process has often been drawn to the act of sewing. It is both a memory and a companion to art making and nursing. Both my parents sewed. My mother sewed when she was young to make the clothes she could not afford but desired and later to adjust the clothes she could now buy but needed to tailor to her liking. My father was a surgeon and sewed tiny stitches both to mend due to an accident or to adjust for the patient’s desire. I have often felt the kinship of sewing to caregiving as an act of making repairs, closures and mending as we nurses help our patients seek out help to do the same.

 

Opening Reception, Friday, Sept 6, 6:00-9:00pm

  • Exhibition dates: Aug 28 – Sept 21, 2019 
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm  

Esther Charbit

Eclecticity:  Opening Reception Fri.  July 26, 6-9pm

My body of work is eclectic. Some of the pieces are abstract, some are figurative, and some are very decorative; but all have surface texture created by collaged papers and built-up paint.

 

Opening Reception, Friday, July 26, 6:00-9:00pm

  • Exhibition dates: July 24 – Aug 17, 2019 
  • Gallery hours: Wed – Sat 12-6 pm,  Sun 12-4 pm