Carolyne King

“Fractured States”  Opening  Fri.  April 28,  6-9pm

King’s newest work in Fractured States discusses what happens when connections cannot be maintained. Dissonance. Loss. Inertia. Conceptually the work is trying to become whole again yet the separations are more glaring and tenuous. And the fight for connection in the face of dissolution has directly influenced this new body of work, all of which has a collage element. Even if it seems components are being forced together, in the end, each piece that goes into the artwork has a purpose.

Fractured States, like A Delicate Balance and Fragile States before it, is a reflection of the belief that we are on a circuitous path of creation, illumination, and spiritual progression towards one’s place with the universe. It is not always an easy progression and there is strife and loss on the way. And sometimes the simple belief that things will be better is enough to hold even the thinnest thread together.



Opening:     Friday April 28 from 6-9pm

Exhibition dates:     April 26 – May 20, 2017

Gallery hours:     Wed-Sat 12-6pm    Sunday 12-4pm

Angela A. McElwain

“Loss, Change, Stasis”   Opening  Fri.  April 28,  6-9pm

Loss, Change, Stasis, an exhibition of constructs by Angela A. McElwain, reflect the strength of women when confronted with loss, especially of the self, innocence, death, separation, abuse, etc. Included in the exhibition is Jochebed’s Dream, part of an installation which will simulate a museum exhibit including a display case with artifacts related to the subject, Jochebed, and her loss of her child, Moses. Currently a work in progress but projected to be completed later this year.

Referencing her constructs Ms. McElwain states, “When I work with secondary material, I am reminded the cast-aside can be transformed into a thing of impactful eloquence. The objects I use must be visually interesting and tactile, since I began by noticing their physical structures, then, by handling the things I sense their vibration. One of my favorite materials is lead because of its contrary qualities: it is plastic metal, the surface is beautiful yet marred, the greyness is industrial yet strangely comfortable.”

Ms. McElwain’s work, stimulating and intuitive, speaks for itself.


Opening:     Friday April 28  from 6-9pm

Exhibition dates:     April 26 – May 20, 2017

Gallery hours:     Wed-Sat 12-6pm    Sunday 12-4pm

Ruti Modlin

“‘Round the Block: Prints & Paintings”                  Opening  Fri.  April 28,  6-9pm

Modlin’s latest work is a dialogue between her large woodcut prints and her paintings. An eventful family wedding inspired the subject for this body of work. The palette is muted, emulating the hand-colored prints. his exhibit features Canopy, a series of 3 large woodcut prints: Canopy I, II, and III and the paintings: A Bunch, Tango a Deux, Bride, Just Married, Let Them Eat, and Her Shoes.


Opening:     Friday April 28  from 6-9pm

Exhibition dates:     April 26 – May 20, 2017

Gallery hours:     Wed-Sat 12-6pm    Sunday 12-4pm

Call For Entries “SHOUT!”



Prospectus and Application Form:

Click on link below

NIU MFA Exhibition

“Cream of the Crop”                  Opening  Fri.  Mar. 31,  6-9pm

Cream of the Crop is an accumulation of three years of focus within the masters of fine art program at Northern Illinois University, featuring seven MFA candidates. While all artists within this exhibition have spent an amount of time living in and around the rural cornfields that define a Midwestern landscape, each approaches art-making in varying media, materials, and conceptual themes, as they relate to our most immediate cultural hub—Chicago, and the larger art world as a whole. The work in this exhibition ranges from an investigation of the land from a feminine perspective to what it means to be a painter in the 21st century to questioning the cost of modernity, and various themes in between. All of these various themes and works are the byproducts of three years of research, questioning, soul-searching, and intuition that the MFA program provides and encourages.


Opening:     Friday March 31 from 6-9pm

Exhibition dates:     March 29 – April 22, 2017

Gallery hours:     Thurs-Sat 12-6pm    Sunday 12-4pm

Nancy & David Bechtol

“Scene and unseen: Persistence of Vision”       Opening  Fri. March 3,  6-9pm

Nancy and David Bechtol present photographic works that are charged with contrast of visions. They are an intense couple whose art and lives exude the study of contrasting real and surreal and engage a visual match of the natural and unnatural. David is presenting images of photographic panoramas and intimate views of nature while Nancy’s photographs depict the wild side of her mind’s eye.
       Opening:     Friday March 3 from 6-9pm

Exhibition dates:     March 1- 25, 2017

Gallery hours:     Thurs-Sat 12-6pm    Sunday 12-4pm

Alisa Singer

“Environmental Graphiti: The Art of Climate Change”       Opening  Fri. March 3,  6-9pm

Alisa Singer believes the general public needs to become more aware of the compelling facts regarding climate change and the many ways it is impacting our planet. She was attracted by the aesthetic design elements of scientific charts and graphs, and intrigued by the idea of using art to help draw attention to their urgent message. She sets out to develop an approach to marry her art to this cause by using as the “blueprint” for each of the digital paintings in the series, The Art of Climate Change, a chart, graph, word, number or symbol representative of a key fact about climate change. Her discoveries have shown that the art makes the science more accessible, and the science makes the art more meaningful. 
        Opening:     Friday March 3 from 6-9pm

Exhibition dates:     March 1- 25, 2017

Gallery hours:     Thurs-Sat 12-6pm    Sunday 12-4pm

Laura Cloud

RE(Tracing) Morocco”       Opening  Fri. March 3,  6-9pm

Laura Cloud – RE(Tracing) Morocco is the result of a residency program I attended during the summer of 2016 at Green Olive Arts located in Tetouan, Morocco. During the nineteen seventies, I had the experience of living in Morocco for two years. While in residence, I revisited and documented contemporary Morocco through photo, video, sound recordings, journal entries, and drawings. RE(Tracing) Morocco layers past experiences, memories, personal history, etc. the contemporary.

A special thank you to both Green Olive Arts for providing me with a studio and time to be creative and Michigan State University’s College of Arts and Letters for awarding me a Summer Research Fellowship.

Opening:     Friday March 3 from 6-9pm

Exhibition dates:     March 1- 25, 2017

Gallery hours:     Thurs-Sat 12-6pm    Sunday 12-4pm

Seeing RED

“Seeing RED”                  Opening  Fri.  Feb. 3,  6-9pm

In this non-juried, Open Walls exhibition, ARC asked artists to reflect on what “Seeing RED” might look like, what it might reference metaphorically, emotionally, politically, or literally.

Exhibiting Artists:  Julie Rotblat Amramy,  Brandin Barón,   Nancy Bechtol,   Sally Blood,   Angelique Bolin,   Radegonda Broede,   Carly Colvin,   Joan D’Arcambal,  Andre Daugavietis,   Jeffry Dean,   Jason DeBose,   Manal Deeb,   Kristin Edens,   Sari Fishman,   Anne Farley Gaines,  Doug Garder,   Melissa Gerleve,   Iris Goldstein,   Lucy Julia Hale,   Carol Hamilton,   Hermann Harmann,   Julia Harmon,  Frank Ishman,   Rachel Joyce,   Judith Berk King,   Kimberly King,   Ria Kmetova,   Pauline Kochanski,   Karen Lange,  Judy Langston,   Jessica Lee,   Cindy Lesperance,   Liesa Liezke,   Sarah Lovitt,   Fern Migdal,  Valerie McCune,  Angela McElwain,  Jacqueline Moses,  Karen Musgrave,   Cheri Reif Naselli,   Geoffrey Novelli,  Ann O’Brien,   Andre Pace,   Lindsey Pearson,   Reggie Pointer,  Ann Rosen,   Karen Sako,   Mary Saran,   Seraphine,  John Seubert,   Lee Stanton,   Cynthia Staples,   Jane Stevens,   Patricia A. Stewart,   Orit Suchs,   Yingwan Sun,   Alexander Sutphen,   Rhonda Thomas Urdang,   Paula Valenzuela,   Mary Wagner,   Ingrid Wells,  Barbara Wester,   Evan D Williams,   Jungyul Yu


Opening:     Friday February 3 from 6-9pm

Exhibition dates:     February 2-25, 2017

Gallery hours:     Thurs-Sat 12-6pm    Sunday 12-4pm

Collett Hudecek

“Blurred Memories”       Opening  Fri. Jan. 6,  6-9pm

Blurred Memories is a body of work that Hudecek likes to equate to the inverse of photorealism. Instead of creating a painting to reproduce a photograph, she creates a photograph to imitate a painting. These photographs are made to resemble a painting in which crisp details and sharp focus have been disregarded to evoke a faded memory in a single frame. Memories can often be tricky and imprecise.  These images are reminiscent of a distant memory in which the intimate details have long faded in time, but the emotion fueling the memory remains unforgettable. She disposes of the details the way our faded memories tend to forget specifics. The colors, shapes, and shadows mold into an image capable of inducing the emotions attached to these distant memories. The lack of focus creates broad strokes of color and light while capturing recognizable gestures and scenes of familiar images.

Opening:     Friday January 6 from 6-9pm

Exhibition dates:     January 4 – 28, 2016

Gallery hours:     Thurs-Sat 12-6pm    Sunday 12-4pm